Read Between the Wines Podcast
En podcast av Pierre Ferland
68 Avsnitt
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E50 - Domaine Lafage, Roussillon, France
Publicerades: 2024-04-17 -
E49 - Foot Trodden (Wines of Portugal) · Simon Woolf
Publicerades: 2024-04-06 -
E48 - Ziraldo Prosecco, Italy
Publicerades: 2024-02-09 -
E47 - Xavier Vignon, Rhône Valley, France
Publicerades: 2023-11-23 -
E46 - De Long Maps & Charts · Steve De Long
Publicerades: 2023-11-04 -
E45 - The Wine Bible · Karen MacNeil, USA
Publicerades: 2022-11-29 -
E44 - Versado Winery, Mendoza, Argentina
Publicerades: 2022-11-16 -
E43 - Two Sisters Vineyards, Canada
Publicerades: 2021-12-08 -
E42 - Windrush Estate Winery, Canada
Publicerades: 2021-11-17 -
E41 - Ken Forrester Vineyards, South Africa
Publicerades: 2021-05-14 -
E40 - Big Macs and Burgundy · Vanessa Price, USA
Publicerades: 2021-04-29 -
E38 - Trialto Wine Group · Richard Dittmar, Canada
Publicerades: 2021-04-01 -
E37 - Rosewood Winery, Canada
Publicerades: 2021-03-12 -
E36 - 2027 Cellars, Canada
Publicerades: 2021-03-07 -
E35 - Noble Estates Wine & Spirits · Craig De Blois, Canada
Publicerades: 2021-01-19 -
E34 - Queenston Mile Vineyard, Canada
Publicerades: 2020-12-16 -
E33 - Ferox Wines, Canada
Publicerades: 2020-03-18 -
E32 - Remy Wines, Oregon, USA
Publicerades: 2020-03-07 -
E31 - Donald Ziraldo · The History of Canadian Wine
Publicerades: 2020-02-27 -
E30 - Burghundy · Adam Knoerzer, Pittsburgh, USA
Publicerades: 2020-02-14
Read Between the Wines Podcast is not really a podcast, it’s a repository of stories from the wine world. It is focused on the narratives behind the winemakers rather than wine scoring. Founded and hosted by Vino-enthusiast Pierre Ferland, it offers a different and refreshing concept in wine exploration. Each episode offers a unique perspective on vineyard’s tales, much like each vintage brings its own profile and personality to a blend. Some conversations will delve into winemaking techniques, while others will explore initiatives to preserve biodiversity and find solutions to combat climate change. From a consumer perspective, we are intrigued by how wine scoring has dominated the industry, leaving many enthusiasts perplexed by its intricacies yet still relying on a solitary number for their selections. We understand and respect the fact that a generous score can help move a few bottles and we won’t hold it against any wineries, but from a vintner and a winemaker perspective, we pose a pivotal question: what legacy do you wish to imprint upon your clientele? A numerical rating, or the compelling tale of your craft? Think about it. What score would you give to the “Mona Lisa” or “The Starry Night” from Van Gogh? About “Composition 8” from Kandinsky or “The Creation of Adam” by Michelangelo. It’s very subjective indeed and so is Pinot Noir from Burgundy, Cabernet Sauvignon from Australia and Riesling from Germany.
