39 Avsnitt

  1. Translation as Afterlife

    Publicerades: 2017-02-24
  2. “Forgotten Europe”: Translating Marginalised Languages

    Publicerades: 2017-02-10
  3. Between Languages: Working in and out on Translation

    Publicerades: 2016-11-30
  4. Literature Beyond Literary Studies: Intermediality and Interdisciplinarity

    Publicerades: 2016-11-01
  5. Comparative Criticism: What Is It and Why Do We Do It?

    Publicerades: 2016-10-19
  6. Intercultural Literary Practices

    Publicerades: 2015-11-09
  7. Fiction and Other Minds

    Publicerades: 2015-11-09
  8. Extremist Translation and the Deformation Zone

    Publicerades: 2015-07-24
  9. Lunchtime talk with Italian journalist Antonio Armano

    Publicerades: 2015-06-23
  10. Translation and Ekphrasis: Dante and the visual arts

    Publicerades: 2015-02-24
  11. Intercultural Tales

    Publicerades: 2015-02-17
  12. To the Lighthouse

    Publicerades: 2015-02-09
  13. OCCT event - The Creativity of Criticism part four

    Publicerades: 2014-12-19
  14. OCCT event - The Creativity of Criticism part three

    Publicerades: 2014-12-19
  15. OCCT event - The Creativity of Criticism part two

    Publicerades: 2014-12-19
  16. Languages of Criticism - Translation and Comparison part two

    Publicerades: 2014-12-17
  17. Unbuttoning Catullus

    Publicerades: 2014-12-01
  18. Other Worlding

    Publicerades: 2014-11-14
  19. Kirmen Uribe - Reading and in discussion with Daniela Omlor and Xon de Ros

    Publicerades: 2014-11-14
  20. Cultures of Mind-Reading: The Novel and Other Minds - ‘Narrative and/as Heterophenomenology: Modelling Nonhuman Experiences in Storyworlds’

    Publicerades: 2014-09-20

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The discipline of Comparative Literature is changing. Its Eurocentric heritage has been challenged by various formulations of ‘world literature’, while new media and new forms of artistic production are bringing urgency to comparative thinking across literature, film, the visual arts and music. The resulting questions of method are both intellectually compelling and central to the future of the humanities. To confront them, our research programme brings together experts from the disciplines of English, Medieval and Modern Languages, Oriental Studies, and Classics, and draws in collaborators from Music, Visual Art, Film, Philosophy and History.

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