(in)sight-reading enlightenment/early music podcast
En podcast av Darina Ablogina
67 Avsnitt
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Reviving the Renaissance with Marc Lewon
Publicerades: 2025-04-30 -
London Calling: Inside LIFEM with Chris Butler & Erik Bosgraaf
Publicerades: 2025-03-28 -
Pierre Hantaï: Understanding a Genius
Publicerades: 2025-02-03 -
Behind the Curtain: Kenneth Zammit Tabona on Early Music and Festival Crafting
Publicerades: 2025-01-26 -
Myth of a self-made man/Lila Hajosi (Irini)
Publicerades: 2024-12-31 -
Giovanni Antonini: a visionary of our time
Publicerades: 2024-10-20 -
Interview with Lucie Horsch, B’Rock and Olga Pashchenko
Publicerades: 2024-09-22 -
Motivation to go on stage: Why is it important to be there?
Publicerades: 2024-08-31 -
In tribute to the Stockholm Early Music Festival: interview with the artistic director Peter Pontvik
Publicerades: 2024-07-11 -
Johann Christoph Friedrich Bach, Werke für Tasteninstrumente with Jermaine Sprosse
Publicerades: 2024-05-28 -
The glass bead game of Diversity with Roger Wilson
Publicerades: 2024-03-21 -
Stage fright of Clara Schumann and 100 % "no" in job applications
Publicerades: 2024-03-17 -
The book "Alte Musik heute" and its creators
Publicerades: 2024-03-05 -
Maltese baroque paradise with the Valetta Baroque Festival
Publicerades: 2024-01-30 -
Happy new year with Solazzo! Professional burnout: Anna Danilevskaia and the phylosiphic approach to relevant questions
Publicerades: 2023-12-31 -
Lucas Debargue: Music is here to disturb us
Publicerades: 2023-11-25 -
The genius of collaboration/percussionist Roberto Maqueda
Publicerades: 2023-10-08 -
Beethoven's late piano works with Olga Pashchenko
Publicerades: 2023-09-29 -
Dina König-the queen of baroque hearts
Publicerades: 2023-07-31 -
"There's a room full of people" - What motivates you to go on stage?
Publicerades: 2023-06-26
Hello dear friends! Welcome to our brand new podcast dedicated to sight-reading. Why sight-reading? We want to show the behind-the-scenes of music-making. We begin each episode with our initial thoughts on a new score as well as musings about style, aesthetics, and instruments. We challenge ourselves to apply our understanding of historical practices to achieve a more musical reading of a given text. Whether you are amateur musicians looking for tips on sight-reading and insight into historical performance or a seasoned musician, we would be happy if you joined us.