In the Foreground: Conversations on Art & Writing
En podcast av Caro Fowler
58 Avsnitt
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“Perception is a Form of Sampling": Christoph Cox on Materialities of Sound
Publicerades: 2021-03-23 -
“The Sound Can Touch You Directly”: Christina Kubisch on Electronic Sound Art
Publicerades: 2021-03-16 -
“When is This?”: Brian Michael Murphy on Media Archaeology and Preservation
Publicerades: 2021-03-09 -
“A Database is an Argument”: Anne Helmreich on Digital Humanities and Art History
Publicerades: 2021-03-02 -
“A Gesture of Reciprocity”: Souleymane Bachir Diagne on Translation and Restitution
Publicerades: 2021-02-23 -
“Unpacking My Identity”: Genevieve Gaignard on Race in America and the Impossibility of Home
Publicerades: 2021-02-16 -
“How to Look with Soft Eyes”: Darby English on Description as Method
Publicerades: 2021-02-09 -
“Philosophical Grounding”: Michael Ann Holly on Creating Visual Studies
Publicerades: 2020-11-17 -
"Can You Show Thinking?”: Mieke Bal on Film & Writing
Publicerades: 2020-11-10 -
"Refusal of Personality": Brigid Doherty on Rosemarie Trockel and Rorschach
Publicerades: 2020-10-27 -
“Looking as Knowing”: Svetlana Alpers on Critical Thinking and Photography
Publicerades: 2020-10-20 -
“An Art History Yet to Come”: Kirsten Scheid on Palestinian Art
Publicerades: 2020-10-13 -
“A Set of Ways of Engaging”: Lisa Lee on Thomas Hirschhorn & Materiality
Publicerades: 2020-10-06 -
“An Embodiment of Experience”: Steven Nelson on African Art and Writing History
Publicerades: 2020-09-29 -
“To Speak Across Time”: Gabriele Finaldi on Museums
Publicerades: 2020-09-15 -
“An Archive of Exchange”: C. Ondine Chavoya on Chicanx and Latinx Art History
Publicerades: 2020-09-08 -
“Surfaces of Projection”: Dell M. Hamilton on Performance Art and Black Embodiment
Publicerades: 2020-09-01 -
“The Nature of All Our Forms”: María Magdalena Campos-Pons on Performance Art
Publicerades: 2020-08-18
What does it mean to make art history? In the Foreground: Conversations on Art & Writing considers the role of art in society, how knowledge is shared (or obscured), and the way histories are made and unmade—while also considering the personal stakes of scholarship. Each episode offers a lively, in-depth look into the life and mind of a scholar or artist working with art historical or visual material. Discussions touch on guests’ current research projects, career paths, and significant texts, mentors, and experiences that have shaped their thinking. We invite you to join us and listen in on these conversations about the stakes of doing art history today.