Get Up in the Cool
En podcast av Cameron DeWhitt - Onsdagar
462 Avsnitt
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Episode 375: Call Up in the Cool No. 2
Publicerades: 2023-11-01 -
Episode 374: Mark Graham (Old Time Harmonica)
Publicerades: 2023-10-25 -
Episode 373: Tristan Clarridge (Old Time Cello)
Publicerades: 2023-10-18 -
Send in your tune requests and questions for Call Up in the Cool No. 2!
Publicerades: 2023-10-16 -
Episode 372: Natalie Haas (Old Time Cello)
Publicerades: 2023-10-11 -
Episode 371: Rachel Baiman (John Hartford, Fiddle Camp Kids, and Commercial Validation)
Publicerades: 2023-10-04 -
Episode 370: Evie Ladin (Body Music, Banjo, and Fiddling for Fun)
Publicerades: 2023-09-27 -
Episode 369: Dante & Eros Faulk (In Person at Valley of the Moon)
Publicerades: 2023-09-20 -
Episode 368: Laura Risk (Québécois Fiddle)
Publicerades: 2023-09-13 -
Episode 367: Suzy Thompson (Cultural Appropriation and Extraction, Women in Old Time, and the BOTMC)
Publicerades: 2023-09-06 -
Episode 366: Erica Weiss (Old Time Guitar)
Publicerades: 2023-08-30 -
Episode 365: Drew Najor (Old Time in Michigan, Pretty Shaky String Band, and Age in Fiddle Tune Titles)
Publicerades: 2023-08-23 -
Episode 364: Liz Pickard (Old Time Guitar)
Publicerades: 2023-08-16 -
Episode 363: Hills of Belgium (Jérémie Fraboni and Lorcan Fahy)
Publicerades: 2023-08-09 -
Episode 362: Sam & Charlie Sheie (Old Time Fiddle and Guitar)
Publicerades: 2023-08-02 -
Episode 361: Finn Tobias (Flatpicking Old Time Tunes)
Publicerades: 2023-07-26 -
Episode 360: Nora Brown & Steph Coleman (Old Time in NYC and Chicago)
Publicerades: 2023-07-19 -
Episode 359: Athena McKown (Cotillions, Hand-Me-Down Fiddles, and Barbed Wire Radios)
Publicerades: 2023-07-12 -
Episode 358: Shohei Tsutsumi (Melorhythmic Guitar and Lap Dulcimer)
Publicerades: 2023-07-05 -
Episode 357: Call Up in the Cool No. 1
Publicerades: 2023-06-28
Get Up in the Cool features conversations and musical collaborations with some of Old Time music's heaviest hitters, like Ken Perlman, Adam Hurt, Spencer & Rains, and Jake Blount. As an interviewer, Cameron balances an effusive curiosity for the potential of traditional music with a dogged respect for its origins. Serving as audience surrogate, Cameron asks illuminating questions to Old Time's best and brightest while telling the larger story of the tradition's modern era.
