Track Changes: After the Book Deal

Track Changes: After the Book Deal Listen to the podcast on Apple Podcasts and Spotify Read the transcript 💻 ➞ 📚 What happens between signing the book contract and seeing a book on shelves? Industry experts walk us through edit letters, production schedules, cover designs, first pass pages, sales meetings and more. We catch up with Jennifer de Leon as she prepares for the release of her debut young adult novel, Don’t Ask Me Where I’m From, on August 18. (Hear her First Draft interview here.) Then Katherine Tegen, publisher and editor at Katherine Tegen Books, at HarperCollins; Alvina Ling, Vice President and Editor-in-Chief at Little Brown Books for Young Readers (and co-host of the Book Friends Forever podcast); and Stacey Barney, Executive Editor at G. P. Putnam's Sons, an imprint of Penguin Young Readers Group talk us through Catch up on the series so far: Episode 1: Publishing 101 Episode 2: Agents: Who Are They, What Do They Do, And How Do You Get One? Bonus Episode: Publishing in the time of COVID Episode 3: Selling Your Book (Part 1) Episode 4: Selling Your Book (Part 2) Episode 5: Advances (Part 1) Episode 6: Contracts Discussed in this episode: Publishing seasons Edit letters Deadlines Copy Editing Sample Pages Covers Advance Reader Copies, or Galleys Sales Meeting or Sales Conference Acknowledgments More Information: “Edit Letters in Traditional Publishing” by Susan Dennard “Editorial Letters and Line Edits in Traditional Publishing” by Susan Dennard “Understanding Copy Edits as an Author” by Susan Dennard “How a Cover is Born” by Susan Dennard “Understanding First Pass Pages” by Susan Dennard Want more information? Sign up for a free 30-day trial of the Track Changes newsletter, which goes a step (or two) further behind the scenes into the publishing world. Support First Draft by subscribing to the podcast wherever you listen (on Apple Podcasts, Spotfiy, Stitcher, or elsewhere), and leave a rating or review on Apple Podcasts. You can donate to the podcast, on a one time or monthly basis. Track Changes is produced by Hayley Hershman. Zan Romanoff is the story editor. The music was composed by Dan Bailey, and the logo was designed by Collin Keith.